I attended my very first creative workshop this weekend. It was a full day affair punctuated by great snacks and food; my own personal measure of event worth. I met 6 ladies and a gent who were charming, endearing, sensitive, funny, poignant, honest, quiet, exuberant and all things writers can be. Our master of ceremony, our teacher, the Yoda? Oyunga Pala. Many of us in the room came to this simply because of his name. And the title of the workshop? The Art of Becoming a Writer.
Now, you may say that I have been writing for years, decades actually. Why would one attend this class? Aren’t you already a writer? How do you get taught how to become when you already are and you have the science of writing down? Valid questions. But have you ever thought about what it takes to write? There is a science to writing, a formula. Our teachers in 8-4-4 taught us this science but this course by Oyunga Pala introduced me to the art of it. Yes, I can sit down and take a mundane phrase and weave a story around and about it. For me, the science of how I write is a formula combination of [ideas or topics + imagination or research]. x + y = z. Solve for x or y and your story (z) pops out. Some other sub-requirements to give this formula life may include, for me, the ability to step outside of self, life experiences, an amount of time to think up or create storylines, a suitable writing tool (preferably a beautiful pen and crisply white paper) and the availability of Cadbury’s milk chocolate. But that is not a necessary part of the scientific formula though it is an infinitely better choice than a glass of Hendrick’s and Lime every time I write. Then there is what you need to subtract because it is not always about addition. You can have x + y – bx – cy =z. bx could be fear as attached to your x, your ideas or topics. cy could be procrastination as attached to doing the research you need for your topic or the lack of motivation to really imagine up a scenario for your protagonist and all his or her friends.
For some people, their science is that they can simply look at a person walking by on the street and type out their imagined story of this person’s background and all the incidents, events, situations and happenstances that give him or her that gait. Yes, it takes Continue reading →
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